Molly Parker and Garret Dillahunt are reuniting on the indie drama “Oliver Sherman” from Canadian producer the Film Works.
Parker (“Swingtown”) and Dillahunt earlier worked together on HBO’s “Deadwood” and next on the upcoming adaptation of Cormac McCarthy’s “The Road,” set for theatrical release on Nov. 25.
In “Oliver Sherman,” Dillahunt plays a disconnected war veteran who goes in search of a soldier, played by Donal Logue, who saved his life during the war and is now quietly living in a rural town with a wife (Parker) and two children.
The project, to shoot in northern Ontario, marks the first feature from writer-director Ryan Redford. Antonio Calvache is DOP, while Paul Stephens and Eric Jordan of the Films Works share producer credits.
Mongrel Media will release the indie picture in Canada. [THR]
Deadwood and Oz, shows which were until now only available to HBO subscribers and on DVD, have been added to The 101 Network‘s Sunday night lineup and will start airing on May 21. Both shows will also be available on DIRECTV on DEMAND.
All three seasons of Deadwood and six seasons of Oz will be aired unedited. Patty Ishimoto, the vice-president and general manager of DIRECTV’s The 101 Network, says:
“We are committed to bringing the highest quality shows to our subscribers and these are two of the most riveting dramas ever made for television. When pay-TV shows like these move to other networks they are usually extremely edited versions, but DIRECTV customers will get to enjoy these incredible shows uncut, commercial free and in HD.”
Here is a quick clip from season one to refresh your memory:
When John attempts to rescue Skynet’s latest target he finds himself closing in on Weaver, but at what cost? Game plans change, causing Sarah and Ellison to reunite. Meanwhile, Weaver learns Ellison’s secrets in the “Adam Raised a Cain” episode of TERMINATOR: THE SARAH CONNOR CHRONICLES on Friday, April 3 (8:00-9:01 PM ET/PT) on FOX. (SCC-220) (TV-14 V)
Cast: Lena Headey as Sarah Connor; Thomas Dekker as John Connor; Summer Glau as Cameron; Brian Austin Green as Derek Reese; Richard T. Jones as James Ellison; Garret Dillahunt as John Henry; Shirley Manson as Catherine Weaver
Guest Cast: Larry Cedar as Detective Crayton; Mackenzie Smith as Savannah Weaver; Jeffrey Pierce as Water Delivery Guy; Austin Highsmith as Debbie; Jill Remez as Teacher
Side note: Larry Cedar was a series regular on Deadwood. Look for Leon, 2:30 minutes in:
And they just released the description for the last episode of the season on the Terminator blog:
Born to Run: Fate is changed forever on the explosive season finale episode! The Connors come face-to-face with Weaver in a confrontation that shakes John to the core and changes his reality. Nothing will be the same. Airs Friday, April 10th.
Finally, several sites are reporting that Fox won’t be making any definite decisions on season three – meaning whether or not there will be one – until May. No official statements yet, though.
You mean to you? I’m real proud of it, which is an odd thing to be proud of. I’m proud of this rape-and-pillage movie. There are reasons that I consciously did the thing — but there’s something about that basic story that is speaking to people, and I think did to me when I read the script. And I think it’s because the job situation is getting weird, people feel so powerless right now. People feel like they’ve been raped by — fill in the blank, the economy, 9/11. Wes Craven last night called 9/11 the ultimate home invasion. Not meaning to be glib — but that feeling of violation we all had. People are really responding to the film in a visceral way — and I think it gives them some release. I kind of feel like it will defend itself. Wow, I got so deep there.
OK. I will see this movie.
It’s an art-house horror film. I saw it with a couple friends and, man, it’s so relentless and believable. I felt mugged. Sort of happily mugged? Is that possible?
I do hate reading a synopsis with the word “disembowel” in it.
I don’t think we disembowel! Sara Paxton, who plays Mari Collingwood, the victim of the assault, I’ve worked with her before. I was happy about that at first. Then I thought maybe it’s a bad thing — you don’t do this to friends! But she was so game and tired of playing mermaids and Snow White kind of characters. So she really went for it.
I get recognized more — it’s one of the first characters I played that looks like me. There’s a lot of “Terminator” fans out there, which belies the ratings!
The “John From Cincinnati” set — I got the sensation that this was a very weird time and experience for people.
It seemed very similar to the “Deadwood” experience for me. I love writers! I get nervous around writers, because I’m a frustrated writer myself. I’m a terrible writer. I have a degree in journalism, and I thought that was what I was going to do. And I drifted through college and found acting kind of late. [David] Milch was so good to me, and it really changed me — I don’t mean professionally, it changed things for me, in the way I view material. . . . Working that inspirationally must be expensive, which you have to be realistic about if you’re a network or a money guy. What made “Deadwood” special killed it, but I wouldn’t trade it for anything. For anything! And I owe a lot to that experience. Spiritually. Praise the Lord! I do that too. I get embarrassed about waxing on and I cut myself off at the knees. That’s a nice little trait there, FYI.
Why did you think you bombed out as a writer?
I might be a little hard on myself. I was a fine writer! I worked for my little hometown newspaper. I thought I was going to write fiction. [LA Times]
Dennis Iliadis and Wes Craven had a few things to say to STYD about casting Krug:
Shock: Dennis, how did you come about finding your cast?
Iliadis: We were not trying to be obvious. Trying to get people who won’t play these characters in stereotypical ways. With Garret [Dillahunt], everyone who came in before him was playing Krug with a squinty eye and raspy voice. What the hell? My feeling is, if you get the ambiguities right, he’s much more terrifying. However evil Krug can get, he still has a sense of humor. He’s supposed to be a father and Garret realized all of that, keeping those things alive. By having time to rehearse, I really pushed the actors in the beginning and I just sat back and enjoyed it. They got this extra freedom to keep it very real.
Craven: You always look for someone who is, in a way, going to do it not the way every actor would do it. You’re looking for that originality. Because you have to rely on the actor. You can’t write everything and tell them exactly what they have to do. Even when finding Robert Englund [for Freddy Krueger], I started by looking at big stunt guys who could do the stunts. Then we looked at old men for the “old man” element. Those that were alive had reached a certain gentleness. The stunt guys have a totally different mentality. They don’t want to go someplace dark and creepy. Robert Englund wanted to. You need an actor who can bring a complete sense of commitment to that character without making it silly and not be afraid to go in there to the point where someone might say, “Oh, you got bad in you?” You have to be brave enough and mature enough to know we’ve all got it, and you’re not afraid of putting it out there and if you’ve got a problem with seeing that, tough. [laughs] Garret was fresh and new, he could go there. [ShockTillYourDrop]
Sara Paxton talked about working with Garret in another recent interview:
The rape scene in this film is incredibly gut-wrenching. How did you prepare for that?
I was nervous about that from the moment they said, “You have the part.” We were flying out to this new place where I’d never been before, that is so far away from anybody who could give me emotional support. I started freaking out a little bit. But then, when I got there, and I met everybody and we all started bonding, I realized that they had become my family away from home. Getting on set that day, I was so nervous. I was in my room and I was feeling so sick, and thought I was going to barf. My anxiety level was through the roof. And then Garret [Dillahunt] and I had a talk, and he really calmed me down. We decided that we were going to get through it together, and just go full force, and we completely trusted each other. And I felt like everyone had my back, so I felt like I was able to open up and kind of do things that I didn’t think I would be able to do at all. I felt safe.
After the scene was done, how did you recover from that?
We did that scene for 17 hours. I would have loved to be at the craft service table in between takes, goofing off, and joking like how we normally were—I really just couldn’t that day. Once you lose that headspace, once you go out of it, you can’t go back. I had to stay in that dark place all day. So once they called cut, this weight just went away, and I immediately could just breathe and smile and be happy, be myself. I immediately ran up to Garret [Dillahunt]. He’s really protective of me, and I think it was really hard for him. BlackBookMag.com
Finally, in the clip below, Wes Craven and Dennis Iliadis discussed what will be on the Last House DVD/Blu-ray when it comes out.
There was a call for extras in January on the casting company’s page, but there is no mention of any of the leading cast and the film has yet to be listed on most big sites. It has a page on Hollywood.com. The production is supposed to start some time in February.