To those of you who guessed Garret Dillahunt as our big guest star on Ep.2 of Lie To Me… give yourselves a hand.
Here is the casting call for the character, from LieToMeScoop.com:
[ERIC MATHESON] mid to late 30s. Male. Caucasian. A fugitive suspected of murdering his wife, Matheson takes Lightman (Tim Roth) hostage in an effort to prove his innocence. He’s been in trouble with the law before and made lots of enemies. He feels guilty for dragging his wife into his dangerous world and will do anything to clear his name and find the real killer. GUEST LEAD
Life fans will be happy to know that producer/writer/director Dan Sackheim is also on board for season two.
Lie to Me returns on September 28, so unless there are any schedule changes, episode 2×02 should air on Monday, October 5 at 9 PM on Fox, right after House.
Garret will guest star on CSI again in the season 10 opener, Family Affair. He will play Tom O’Neill, the head of a celebrity security service who gets a visit from the CSI team after a client’s girlfriend is killed in a car accident. (For clips from his previous appearances on CSI and CSI: NY, click on CSI 3×18 and CSI: NY 1×23.)
SpoilerTV has the casting call for the episode here. Be warned, character descriptions contain plot spoilers.
EW’s Ausiello also has some general spoilers for the new season in his last column. Highlight the text below to read:
Question: Will Grissom be joining Sara back on CSI early in the season? –Lois Ausiello: No, but some old friends of his will be. Exec producer Carol Mendelsohn reveals to me exclusively that CSI will be bringing back a few members of the infamous Millander clan in this season’s second episode. “The last time we saw [serial killer] Paul Millander was in season 2 when Grissom had dinner at [his alter ego] Judge Mason’s house, because, if you remember Paul lived a double life as a judge. And we met Mrs. Mason and their young son, Craig. Well, Paul’s dead, but Mrs. Mason and Craig live on. And we will see them in episode 2.” Why? Keep reading for a possible clue…
Question: The season premiere of CSI is only two months away. I’m sure that you’ve gotten some kind of spoiler or tidbit to throw to us! –Andy and Rebecca Ausiello: You can drop the “or.” I’ve got a spoiler and a tidbit, courtesy of exec producer Naren Shankar. First the tidbit: “You’re going to get an explanation for that ring Langston (Laurence Fishburne) still has on his finger in [episode 2].” Now for the spoiler: “We’re going to launch a new season-long serial killer arc this season. Starting at the end of our premiere, a brand new nemesis [will emerge] who has a very unique way of killing.” More unique than that whole miniature thing? “This time, the crime scene is always the body,” Shankar teases. “We’re calling him Dr. Jekyll.” [AusielloFiles]
The CSI season 10 premiere will air on September 24 at 9 on CBS.
Television Without Pity has rolled out a list of nominees for the Tubey Awards and Cromartie is up for Best Villain. You can only vote in these 10 categories this week, so don’t wait too long before hitting the link below. Terminator is also mentioned in Most Painful Series Cancellation and Least Villainous Villain categories. No need to register and there doesn’t seem to be a limit on the number of votes you can submit either.
Warner Home Video has announced the full list of features that will appear on the Terminator season two DVD & Blu-ray sets. Season two will be released on September 22. See the details from the press release below.
Josh Friedman talked to Sci Fi Wire this week. Here are a few quotes:
For you, over the two seasons, what storylines took on their own life, maybe in a way you didn’t expect?
Friedman: I was pleased by how much we got out of Cromartie/John Henry [Garret Dillahunt]. Most of that is due to the genius that is Dillahunt—there’s a reason David Milch couldn’t leave him dead in Deadwood. I always knew we’d have a Terminator body aiding in the A.I. development, but I’ll admit it wasn’t always the Cromartie body. We explored other ideas there, but ultimately we couldn’t stand removing Cromartie from the chessboard.
The ending could be looked at as an actual end to the series or as a cliffhanger. Was it difficult to come up with the finale? Why did you want to end it on such a big note?
Friedman: The finale wasn’t really any more difficult than any other episode. Frankly, “Adam Raised a Cain” almost f–king killed the writers’ room, so the finale was a vacation compared to that. I’d known for quite a while where we were headed, so once we got to that point it was pretty organic. I don’t think I set out to end “on a big note,” but I knew I wanted John Henry to be attacked, and the drone seemed the most dramatic way to hit that beat. I needed to drive people to the future, and making the present an extremely dangerous place to be seemed like an important part of the equation.
Do you ever see the story continuing, perhaps in a comic book or another format?
Friedman: I don’t own this franchise or control it in any way. I can’t just go make a deal to do a comic book or a DVD movie or anything like that. The people that control the franchise need to be interested in another iteration of not just Terminator, which clearly they are, but TSCC, which at this point they are not. I’ve tried to pull this proverbial band-aid off as quickly as I can, but I don’t want that confused with me giving up on the show. It’s been my entire creative existence for years, and nothing strokes my ego more than hearing about people clamoring for more TSCC and e-mailing network executives to that effect. But I want people to have a realistic understanding of what’s going on. I owe them honesty.
Is there anything you’d like to say to the fans?
Friedman: I don’t think there’s much I could say to fans that I haven’t already said. TSCC has been my life for almost four years, and the fans have been a huge part of that experience. Nothing exists in a vacuum, and television is nothing if not a social compact—I’ll try to make something worth watching, and you’ll try to watch it. It’s a handshake, and you don’t want to leave the other guy hanging. Hopefully, we’ll try again soon.
Season two can be pre-ordered on Amazon. DVD & Blu-ray details below.
DVD and BLU-RAY SPECIAL FEATURES
The Continuing Chronicles featurettes
Write the Future – An inside look at creator Josh Friedman and the writing process and how it guides the creative decisions for each episode
Conceptualization – Visual Effects supervisor James Lima and others discuss the production challenges of bringing the sci-fi world of Terminator to television
Blood and Metal – Go behind the scenes with special makeup effects artist Rob Hall and the cast as they reveal the process of creating realistic cybernetic organisms
Designing Destruction – Production Designer Marek Dobrowolski and others discuss the challenges of combining real locations with futuristic sets to create a world in which the present fights to avoid a horrific future
Choreographing Chaos – See how Stunt Coordinator and 2nd Unit Director Joel Kramer and Special Effects Supervisor Steve Galich work closely to create the stunts and on set effects that add an undeniably kinetic quality to each episode
War Stories – From an unexpected earthquake on the jam-packed Santa Monica pier to the intricacies of filming underwater sequences, the producers and cast reflect on some of the most memorable production challenges from Season Two
Setting the Tempo – Composer Bear McCreary and the producers explain the process of taking cues from the Terminator mythology and incorporating them into the score. Bear, Josh Friedman and Shirley Manson also talk about the process of recording the season opening song “Samson and Delilah”
Motivations – The producers and cast discuss the themes of Season Two and how these informed both the writing and acting
Terminated Scenes
Cameron vs. Rosie: Fight Rehearsal – The raw fight rehearsal and choreography session between Summer Glau and a contortionist is interwoven with storyboards and interviews explaining this intricate battle sequence
The Storyboard Process: Cameron Goes Bad – The production team outlines the process for mapping key sequences from the show in Storyboard format
Audio Commentary with Lena Headey, Thomas Dekker, Summer Glau and Shirley Manson and Executive Producers Josh Friedman, James Middleton and John Wirth
Gag Reel
BLU-RAY ONLY SPECIAL FEATURES
Collision with the Future: Deconstructing the HUNTER KILLER Attack – Interactive exploration of the climactic Hunter Killer attack featured in the Season Two finale. Four simultaneous points of view show all elements of the filmmaking of Terminator: The Sarah Connor Chronicles from Production, Direction, Visual Effects, and Special Effects. Additional focus points allow the viewer to explore even more elements of what it took to create this dramatic stunt sequence.
Terminator: The Sarah Connor Chronicles season two will be released on DVD and Blu-ray on September 15 22. No word yet on deleted scenes (Beastwizard would be nice) and other bonus features, but the collection will have six discs and <- that’s what the box art will look like.
In related news, Josh Friedman is back among the living in the blogosphere and has a lengthy post up about the days leading up to the cancellation. You can check it out HERE.
The fan campaign isn’t over either. Earlier today, someone posted this on Warner Bros’ official Twitter page: “I hear ur proclamations of TSCC love – so I gotta know, when did u first fall under TSCC’s spell?” Bottom line, WB may not be as disinclined to shop the show around as they were only weeks ago, so if you have a Twitter account, consider leaving them a quick message. The show is also now being streamed on the WB site. You can revisit the first five episodes of season one HERE.
There’s also a bunch of bigger season one screencaps (season two coming this week) on the site:
Season two will be available on DVD a bit earlier than Terminator, on August 25. If you are not planning on getting it and either live in the U.S. or know how to use proxies, you can still check out both episodes with Garret on Hulu at these links: 2×12 Trapdoor, 2×21 One.