Two more interviews popped up from the Last House junket. The first one is at ShockTillYouDrop.com.
The second one, embedded below, is from Collider.
Two more interviews popped up from the Last House junket. The first one is at ShockTillYouDrop.com.
The second one, embedded below, is from Collider.
MoviesOnline.ca has a lengthy new interview, mostly about The Last House on the Left. Some quotes below, click here to read the rest.
Q: How do you go about playing such a dark, twisted character without dehumanizing him? As an actor, how do you approach that?
Garret: I guess you can’t think of him as that. I thought he was just a guy who’s had some bad luck in his life and it really makes him angry, the way the world has treated him. He’s just not responding to that bad luck, in a healthy way. He’s not seeking therapy or retraining. He’s blaming everyone else, and he really can’t let it go. He’s physically incapable. It’s everyone else’s fault, and he gets obsessed with punishing them. He’s mete-ing out his own twisted justice.
Q: Does the material tell you when it’s important to bring that characterization, as opposed to just letting him be the monster?
Garret: Maybe sometimes I should do that, but I feel like that’s easier. I have to be careful how I sound because it sounds like I’m good at doing it, but what I want to do is bring humanity to things. I feel like it’s more interesting if there’s a little complexity and, in a way, more monstrous because it could exist in the world, like Ted Bundy or the BTK killer or the Green River killer, where you’re just like, “What? How can you have that stamina, to do this over decades, and still wake up and dress yourself, or think you’re all right?” I don’t think Krug is a serial killer. I think he’s a spree killer. He’s just got some wrong ideas about how to exist.
Q: Did you do an entire backstory for this character?
Garret: I think it’s helpful to. I don’t think it matters, if the audience knows what it is. It’s probably better, in this case. You can be that monster. It doesn’t really matter, does it? He’s come to your door, for whatever reason. But, it was helpful for me, yes.
Q: On Terminator: The Sarah Connor Chronicles, you play this guy who is a machine and he’s detached. And, there is a little bit of that in this character that makes him a monster. Do they have anything in common?
Garret: I was hoping to be completely different from that. It was refreshing for me to play someone that’s so emotional. The machine doesn’t care. He’s almost not a bad guy. He’s just doing what he’s programmed to do. He doesn’t hate the Connors. He doesn’t have any feelings for them, whatsoever, which is what makes him scary. “I’m going to do this thing ‘cause it’s what I’m programmed to do, and I can’t be reasoned with.” But, this guy has rage and feels some kind of release from what he does. He needs to feel like the leader from the pack, and powerful. That’s what rape is. It’s a power game, and Mari won’t give him that. She keeps trying to escape. She wrecks the car and she burns Sadie. Those girls are something else. They do not stop fighting. From the moment we come into that motel room, they’re trying to get out. It’s pretty impressive. They’re impressive girls.
Q: What was the hardest thing, emotionally, for you to do in this?
Garret: I suppose it would have to be the assault. I would almost feel bad, saying anything else. But, it was oddly focusing as well. It was one of the most focused days I had because I was determined to do it right and do it on time, and bundle Sara off to a hot bath.
Q: How was working with Dennis?
Garret: I liked Dennis very much. He’s only done Hardcore, which was a really good movie. He handled the sexual stuff in that really well. It’s about teenage prostitutes in Greece, who go mad and go on a killing spree. But, it’s so sensitively handled and so believable, I thought he could do this well. I had absolute faith in him, in short order, because we have similar tastes. We like things messy, and we like things believable. He wasn’t going to let anything cheesy, on screen, and that’s a really freeing feeling, especially doing a horror movie, although I don’t know if it is pure horror. That he wouldn’t put anything dopey up there was great. How many times have you screamed at the screen, “Don’t go there! Why? That’s stupid. Now, I’m out of this movie.”
Q: Are there feelings that you’ll get a Season 3 (T:SCC), or is there disappointment because of the Friday night ratings?
Garret: I don’t know. I always feel like shows are going to be canceled. That’s probably a knee-jerk response as well. I prepare for the worst and start looking for another job, just in case.
Q: Do you have a satisfying resolution for John Henry, if this is it?
Garret: It’s never satisfying, is it? I’m usually dead when series end, so this will be my first time living.
Q: Have you seen a cut of The Road yet?
Garret: I did. I saw one about three weeks ago. I think it looks great. I’m a big fan of Cormac McCarthy, so I might be an easy audience. But, I think that kid is something else. Kodi Smit-McPhee is his name. He’s an Australian kid. Talk about clicking in and out of character. He was like, “It’s fun, I reckon,” and then they’d call action and he’d be a little American kid, all intense and sad. They called him “the alien” on set because he was so good. It’s annoying, really. I was like, “I’ve studied for years. You can’t just show up and be good.”
News-Leader.com has a new article about Winter’s Bone. It is mainly about tax incentives, the local actors who were cast in the film, and what the production means for local tourism.
Here is a snippet:
Granik says it was important to her to film here and use local actors because real accents and dialect give legitimacy to the film.
“The last thing we wanted to do was be outsiders and create a film that was grossly inaccurate,” Granik says.
After seeing Granik’s first film, Daniel Woodrell says he knew she was the right director to turn his book into a movie.
“She has the artistic integrity that this film needs, and I think it will be a film of high merit, whether it sells scads of tickets or not,” Woodrell says in an interview via e-mail.
“The novel was not designed to highlight drug problems. Drugs are incidental to the characters, part of their lives, their world, but not of primary interest to me. I don’t think the meth situation in southwest Missouri is a secret anymore, but is a widely known aspect of Ozark life,” Woodrell says. [News-Leader.com]
Horror.com has new interviews with producer Wes Craven, director Dennis Iliadis, and cast members Sara Paxton, Monica Potter and Garret.
The video can’t be embedded so poke Krug -> to go to the site.
And if you live in the L.A. area, there will be a free screening of The Last House on the Left on Thursday at 7:30 pm at the Los Angeles Film School, followed by a Q&A with writers Adam Alleca and Carl Ellsworth. Click here for details.
Finally, MovieWeb.com was at the same press junket and has interviews with the same bunch. Video below. Good stuff.