Things of Dry Hours ended its run last weekend. New York Theatre Workshop uploaded a few pics from both the opening and closing night on Facebook. Also, all the Afterwords discussions are available on the NYTW website. Garret stayed for the one on June 16, but they’re all well worth a listen.
To see what New York Theatre Workshop is doing next, head over to their site.
And one last look at Corbin Teel, because I haven’t seen this pic before:
The Last House on the Left will hit DVD & Blu-ray shelves on August 18. The cover art is on the right. Here is the info from the press release:
Blu-rayTM Hi-Def: LIMITED TIME ONLY!
Experience pure terror in perfect picture and purest digital sound available! Available for a limited time only, the 2-disc Blu-ray version plays on your Blu-ray player or Playstation® 3 and includes exclusive additional features!
DIGITAL COPY OF THE LAST HOUSE ON THE LEFT unrated: Transfer the included digital copy to your iPod, Mac or PC and experience The Last House on the Left anywhere, anytime!
BD-LIVETM: Access the BD-LiveTM Center through your Internet-connected player to get even more content, watch the latest trailers, and more!
MY SCENES SHARING: Pick your favorite scenes from the film to create your own video montage, then share with your buddies via BD-LiveTM.
BONUS FEATURES ( DVD and BLU- RAY ™ HI-DEF):
DELETED SCENES
A LOOK INSIDE – FEATURETTE
Technical Specs
BD-50 Blu-ray
Digital Copy
Video Resolution/Codec
1080p/TBA
Aspect Ratio(s)
1.85:1
Audio Formats
English DTS-HD Master Audio 5.1
Subtitles/Captions
English, French, Spanish
Supplements
Deleted scenes
A Look Inside
Exclusive HD Content
BD-live
My Scenes
Also, since the site is getting a lot of hits from people looking for Last House screencaps, I’ve added a few to the gallery pages at these links: LHOTL caps page one, LHOTL caps page two. Scroll down for a few of the pics. They will be replaced with high resolution ones once the DVD is out. You can preorder the DVD/Blu-ray on Amazon by following the links below:
Roger Friedman at Showbiz411 has posted his review of The Road. Here are a few quotes:
Hillcoat has done justice to McCarthy’s Pulitzer Prize winner. “The Road” is elegiac and moving, artful and yet suspenseful. No, it’s not a raucous good time. It can be thoughtful and grim. But here’s the interesting thing: Viggo Mortensen’s performance as a father walking through a post-apocalypse America with his young son is just fascinating. It stays with you long after leaving the theater. Mortensen is that good.
There aren’t a lot of other actors in “The Road.” Charlize Theron is very good as Viggo’s wife, in flashbacks. Both Robert Duvall and Guy Pearce make cameo appearances. Eleven-year-old (he’s 13 now) Kodi Smit-McPhee is just right as the couple’s son.
What Hillcoat and screenwriter Joe Penhall do is accurately capture McCarthy’s tone and lauguage. This isn’t easy to do. “The Road” is a bleak trip, told in muted blacks, blues, and grays. There are no blue skies after whatever caused the apocalypse (is it nuclear war? we don’t know. Everything left, including the trees, is dying.)
New York Theatre Workshop has posted an interview (video embedded below) with the creative team behind Things of Dry Hours – playwright Naomi Wallace, director Ruben Santiago Hudson (director) and NYTW artistic director James Nicola:
They are also giving away free tickets for the shows this weekend to people who want to help spread the word about the production. They posted this note on their Facebook page earlier today:
Dear Comrade,
We need your help! Naomi Wallace’s Things of Dry Hours opened last night, and we must say that we are enormously proud of this production. As a friend and fan of NYTW, your opinion of our work is important to us, and we would like to give you the opportunity to see this production on us. NYTW would like to offer you a pair of COMPLIMENTARY TICKETS to see a performance of Things of Dry Hours this weekend! (SEE DETAILS BELOW).
We feel very strongly about this production, and if you agree with us and want to help spread the word about the show, we’ll send you a special code for ½ price tickets for you to share with your friends and family.
Thanks for being such a good friend of the Workshop and for helping to be an ambassador for challenging, new and exciting theatre.
Long live the theatre!
The Workshop
COMP TICKETS AVAILABLE FOR:
Saturday, June 13 @ 3pm; Saturday, June 13 @ 8pm.; Sunday, June 14 @ 2pm and Sunday, June 14 @ 7pm.
To receive your free pair of tickets please email Rebekah Paine at Rebekahp@nytw.org with the following information:
Name
Number of tickets (Limit two tickets person)
First preference of performance date
Second preference of performance date
Phone Number
Email Address
The deadline to reserve tickets is 2pm on Friday, June 12.
Finally, here is the new poster for the show:
Things of Dry Hours opened on June 8. You can catch it at New York Theatre Workshop (79 East 4th Street, NYC) until June 28. For all the details, click on the poster.
Warner Home Video has announced the full list of features that will appear on the Terminator season two DVD & Blu-ray sets. Season two will be released on September 22. See the details from the press release below.
Josh Friedman talked to Sci Fi Wire this week. Here are a few quotes:
For you, over the two seasons, what storylines took on their own life, maybe in a way you didn’t expect?
Friedman: I was pleased by how much we got out of Cromartie/John Henry [Garret Dillahunt]. Most of that is due to the genius that is Dillahunt—there’s a reason David Milch couldn’t leave him dead in Deadwood. I always knew we’d have a Terminator body aiding in the A.I. development, but I’ll admit it wasn’t always the Cromartie body. We explored other ideas there, but ultimately we couldn’t stand removing Cromartie from the chessboard.
The ending could be looked at as an actual end to the series or as a cliffhanger. Was it difficult to come up with the finale? Why did you want to end it on such a big note?
Friedman: The finale wasn’t really any more difficult than any other episode. Frankly, “Adam Raised a Cain” almost f–king killed the writers’ room, so the finale was a vacation compared to that. I’d known for quite a while where we were headed, so once we got to that point it was pretty organic. I don’t think I set out to end “on a big note,” but I knew I wanted John Henry to be attacked, and the drone seemed the most dramatic way to hit that beat. I needed to drive people to the future, and making the present an extremely dangerous place to be seemed like an important part of the equation.
Do you ever see the story continuing, perhaps in a comic book or another format?
Friedman: I don’t own this franchise or control it in any way. I can’t just go make a deal to do a comic book or a DVD movie or anything like that. The people that control the franchise need to be interested in another iteration of not just Terminator, which clearly they are, but TSCC, which at this point they are not. I’ve tried to pull this proverbial band-aid off as quickly as I can, but I don’t want that confused with me giving up on the show. It’s been my entire creative existence for years, and nothing strokes my ego more than hearing about people clamoring for more TSCC and e-mailing network executives to that effect. But I want people to have a realistic understanding of what’s going on. I owe them honesty.
Is there anything you’d like to say to the fans?
Friedman: I don’t think there’s much I could say to fans that I haven’t already said. TSCC has been my life for almost four years, and the fans have been a huge part of that experience. Nothing exists in a vacuum, and television is nothing if not a social compact—I’ll try to make something worth watching, and you’ll try to watch it. It’s a handshake, and you don’t want to leave the other guy hanging. Hopefully, we’ll try again soon.
Season two can be pre-ordered on Amazon. DVD & Blu-ray details below.
DVD and BLU-RAY SPECIAL FEATURES
The Continuing Chronicles featurettes
Write the Future – An inside look at creator Josh Friedman and the writing process and how it guides the creative decisions for each episode
Conceptualization – Visual Effects supervisor James Lima and others discuss the production challenges of bringing the sci-fi world of Terminator to television
Blood and Metal – Go behind the scenes with special makeup effects artist Rob Hall and the cast as they reveal the process of creating realistic cybernetic organisms
Designing Destruction – Production Designer Marek Dobrowolski and others discuss the challenges of combining real locations with futuristic sets to create a world in which the present fights to avoid a horrific future
Choreographing Chaos – See how Stunt Coordinator and 2nd Unit Director Joel Kramer and Special Effects Supervisor Steve Galich work closely to create the stunts and on set effects that add an undeniably kinetic quality to each episode
War Stories – From an unexpected earthquake on the jam-packed Santa Monica pier to the intricacies of filming underwater sequences, the producers and cast reflect on some of the most memorable production challenges from Season Two
Setting the Tempo – Composer Bear McCreary and the producers explain the process of taking cues from the Terminator mythology and incorporating them into the score. Bear, Josh Friedman and Shirley Manson also talk about the process of recording the season opening song “Samson and Delilah”
Motivations – The producers and cast discuss the themes of Season Two and how these informed both the writing and acting
Terminated Scenes
Cameron vs. Rosie: Fight Rehearsal – The raw fight rehearsal and choreography session between Summer Glau and a contortionist is interwoven with storyboards and interviews explaining this intricate battle sequence
The Storyboard Process: Cameron Goes Bad – The production team outlines the process for mapping key sequences from the show in Storyboard format
Audio Commentary with Lena Headey, Thomas Dekker, Summer Glau and Shirley Manson and Executive Producers Josh Friedman, James Middleton and John Wirth
Gag Reel
BLU-RAY ONLY SPECIAL FEATURES
Collision with the Future: Deconstructing the HUNTER KILLER Attack – Interactive exploration of the climactic Hunter Killer attack featured in the Season Two finale. Four simultaneous points of view show all elements of the filmmaking of Terminator: The Sarah Connor Chronicles from Production, Direction, Visual Effects, and Special Effects. Additional focus points allow the viewer to explore even more elements of what it took to create this dramatic stunt sequence.