Interviews

New Last House interview with Garret

MoviesOnline.ca has a lengthy new interview, mostly about The Last House on the Left. Some quotes below, click here to read the rest.

Q: How do you go about playing such a dark, twisted character without dehumanizing him? As an actor, how do you approach that?

Garret: I guess you can’t think of him as that. I thought he was just a guy who’s had some bad luck in his life and it really makes him angry, the way the world has treated him. He’s just not responding to that bad luck, in a healthy way. He’s not seeking therapy or retraining. He’s blaming everyone else, and he really can’t let it go. He’s physically incapable. It’s everyone else’s fault, and he gets obsessed with punishing them. He’s mete-ing out his own twisted justice.

Q: Does the material tell you when it’s important to bring that characterization, as opposed to just letting him be the monster?

Garret: Maybe sometimes I should do that, but I feel like that’s easier. I have to be careful how I sound because it sounds like I’m good at doing it, but what I want to do is bring humanity to things. I feel like it’s more interesting if there’s a little complexity and, in a way, more monstrous because it could exist in the world, like Ted Bundy or the BTK killer or the Green River killer, where you’re just like, “What? How can you have that stamina, to do this over decades, and still wake up and dress yourself, or think you’re all right?” I don’t think Krug is a serial killer. I think he’s a spree killer. He’s just got some wrong ideas about how to exist.

Q: Did you do an entire backstory for this character?

Garret: I think it’s helpful to. I don’t think it matters, if the audience knows what it is. It’s probably better, in this case. You can be that monster. It doesn’t really matter, does it? He’s come to your door, for whatever reason. But, it was helpful for me, yes.

Q: On Terminator: The Sarah Connor Chronicles, you play this guy who is a machine and he’s detached. And, there is a little bit of that in this character that makes him a monster. Do they have anything in common?

Garret: I was hoping to be completely different from that. It was refreshing for me to play someone that’s so emotional. The machine doesn’t care. He’s almost not a bad guy. He’s just doing what he’s programmed to do. He doesn’t hate the Connors. He doesn’t have any feelings for them, whatsoever, which is what makes him scary. “I’m going to do this thing ‘cause it’s what I’m programmed to do, and I can’t be reasoned with.” But, this guy has rage and feels some kind of release from what he does. He needs to feel like the leader from the pack, and powerful. That’s what rape is. It’s a power game, and Mari won’t give him that. She keeps trying to escape. She wrecks the car and she burns Sadie. Those girls are something else. They do not stop fighting. From the moment we come into that motel room, they’re trying to get out. It’s pretty impressive. They’re impressive girls.

Q: What was the hardest thing, emotionally, for you to do in this?

Garret: I suppose it would have to be the assault. I would almost feel bad, saying anything else. But, it was oddly focusing as well. It was one of the most focused days I had because I was determined to do it right and do it on time, and bundle Sara off to a hot bath.

Q: How was working with Dennis?

Garret: I liked Dennis very much. He’s only done Hardcore, which was a really good movie. He handled the sexual stuff in that really well. It’s about teenage prostitutes in Greece, who go mad and go on a killing spree. But, it’s so sensitively handled and so believable, I thought he could do this well. I had absolute faith in him, in short order, because we have similar tastes. We like things messy, and we like things believable. He wasn’t going to let anything cheesy, on screen, and that’s a really freeing feeling, especially doing a horror movie, although I don’t know if it is pure horror. That he wouldn’t put anything dopey up there was great. How many times have you screamed at the screen, “Don’t go there! Why? That’s stupid. Now, I’m out of this movie.”

Q: Are there feelings that you’ll get a Season 3 (T:SCC), or is there disappointment because of the Friday night ratings?

Garret: I don’t know. I always feel like shows are going to be canceled. That’s probably a knee-jerk response as well. I prepare for the worst and start looking for another job, just in case.

Q: Do you have a satisfying resolution for John Henry, if this is it?

Garret: It’s never satisfying, is it? I’m usually dead when series end, so this will be my first time living.

Q: Have you seen a cut of The Road yet?

Garret: I did. I saw one about three weeks ago. I think it looks great. I’m a big fan of Cormac McCarthy, so I might be an easy audience. But, I think that kid is something else. Kodi Smit-McPhee is his name. He’s an Australian kid. Talk about clicking in and out of character. He was like, “It’s fun, I reckon,” and then they’d call action and he’d be a little American kid, all intense and sad. They called him “the alien” on set because he was so good. It’s annoying, really. I was like, “I’ve studied for years. You can’t just show up and be good.”

Last House press junket: Craven, Iliadis, Paxton, Potter, Dillahunt

garret dillahunt,last house on the left,krugHorror.com has new interviews with producer Wes Craven, director Dennis Iliadis, and cast members Sara Paxton, Monica Potter and Garret.

The video can’t be embedded so poke Krug -> to go to the site.

And if you live in the L.A. area, there will be a free screening of The Last House on the Left on Thursday at 7:30 pm at the Los Angeles Film School, followed by a Q&A with writers Adam Alleca and Carl Ellsworth. Click here for details.

Finally, MovieWeb.com was at the same press junket and has interviews with the same bunch. Video below. Good stuff.

Garret on BlogTalkRadio.com – The Last House on the Left

With The Last House on the Left premiering this week, Movie Geeks United interviewed Garret yesterday. Among other things, he talks about seeing the film at the first screenings, how he landed the part, how he got cast in Burning Bright, what he talked about with David Hess, what some of his favourite 1970s movies are, what he read (possibly something like this) while preparing for Last House, and a bunch of other stuff.

Hit play below to listen to the podcast:

The Geeks also talked to Riki Lindhome and they’ll have David Hess on their show tomorrow.

The Road: Garret talks to SCI FI Wire

Garret talked to SCI FI Wire last week. The article is here, quotes below:

About The Road:

“No one writes better stories than Cormac McCarthy. I think Cormac had just had his son [when he wrote The Road]. He had his son fairly late in life, and there was a fire on the hill, and he was watching it from his back door, and his mind just started to wander (…) I think he thought because of these feelings of protectiveness for his son, he just started thinking about what he would do. That fire made him think about what if that was the end coming. What if that was a meteor shower that disrupted the whole atmosphere? This story started to develop about this boy who would then grow up never knowing anything but that [bleak] world. It’s heartbreaking and beautiful. He started to see the world again, and its magic and mystery through the eyes of this boy, and that’s what the book’s about. “

About his character in Burning Bright:

“A hurricane is coming, and I need some insurance money. Again, I’m a bad father.”

About the science fiction genre in general:

“That’s my whole job. I ask ‘What if?’ all the time. What if I was this guy? What if I was that? I just like good stories. I am a science fiction fan. I have 11 boxes of comic books at home. I read Isaac Asimov when I was in eighth grade, and all these incredible, mind-bending kinds of things. I think it’s an excellent way to think outside the box. The most intelligent people I know are science fiction fans and writers.” [SCI FI Wire]

More about The Road, from Garret

While promoting The Last House on the Left, Garret talked to ShockTillYouDrop and had a few things to say about The Road. Quotes below.

About the November 2008 release date:

“There wasn’t time. I think it was very ambitious for them to think they could get it edited together and out for the Oscar season. I think they realized – and I say this because I have a very small part in it – Viggo and the kid are fantastic, but I think they realized they have a very special thing on their hands. They wanted to do it right, so why not hang onto it?”

About the shoot:

“I only had to be there for a few days and it was exhausting. They have incredible stamina, those two. Viggo’s a horse.”

On the subject of hope in the film:

“[The Road carries] more hope than No Country for Old Men. That film was, ‘Look, this is what the world is today. There’s a new crime out there and if you can’t handle it, you better retire. Go hide in the woods, old man.’ And he does. The Road actually ends quite hopeful. This little boy… there’s a phrase they say, ‘You have to carry the fire.’ The fire means this hope, this belief in goodness, we’re the good guys. That’s what [the father and son] say as they try to live fighting off cannibals and stuff. In the end you feel like it’ll bloom again, man will find a way. It’s heartbreaking and beautiful.” [ShockTillYouDrop.com]